‘Most of us have a best friend. However, they generally are not with us when we are out shooting night street photography. This is actually a good thing because one, they will probably distract you; and two, your current best friend is about to be replaced with a new best friend - the streetlamp.’
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‘When you select Shutter Priority, it is important to know that, whilst you have full control over the Shutter Speed, the camera will pick the Aperture. What Aperture the camera chooses is dependent on how slow or fast the Shutter Speed that you have chosen is, and also how low or high your chosen ISO, is.’
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It’s 2023. You want to learn Street photography but you don’t know where to start. Here are 10 tips that you can use as projects when you hit those City streets.
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Night Street photography is not too difficult once you get to grips with the settings that you need to use regularly. In this blog post we are going to take a look at the approximate Aperture, Shutter Speed and ISO settings that you need to select in your camera, after dark.
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The job consisted of taking photos for an outdoor event that lasted pretty much the entirety of the afternoon in a small seaside town in East Sussex, called Bexhill.
But how did I take these photos and what settings and methods did I use? And how does event photography correlate with street style photography?
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‘ISO 1600 - 6400. Aperture f /2.8 - f /1/4. Shutter Speed 1/80 sec - 1/200 sec. Put simply, this is a great starting point for the settings on your camera for easily getting to grips with night street photography.’
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In my opinion, Shutter Speed is the most important element of street photography - you want to be able to freeze the action, freeze your subjects, or blur them, and shutter speed is the answer, giving you all the control you need to do so.
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‘Street photography is the kind of photographic genre that you can do without too much fuss. Unlike Landscape Photography, you seldom need to get up at the crack of dawn. Unlike Wildlife Photography you don't need to spend hours waiting in insect riddled grass waiting for your subject to walk into frame, and you don't need to ask people to pose in a certain way and fiddle around with bright lights, as you would with portrait photography.’
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‘Silhouettes are a great street photography project for a couple of reasons. Number one, you get to learn how to meter for a specific area with your camera's inbuilt light meter. And you also get to create punchy, powerful images, that have extreme contrasts between the highlights and the shadows’
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‘Single Shot Autofocus is probably the easiest mode to get to grips with. The camera simply focuses on a subject and doesn't continue to focus, once you acquire focus. It will lock onto a subject and stay locked providing you are half-pressing the shutter button or pressing the focus button if you are using back-button focus.’
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‘Zone Focusing is great for street photographers. Using one of three simple methods you are manually pre-focusing your camera and lens and adjusting your aperture, for a specific distance where everything will be in focus and will have a deep depth of field, within that area (zone) that you have set the focus for.’
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